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TP 5. Records

We collect some typographical material that can help you select the types of text to work in class on Tuesday 3.

working material must be in Black and White photocopies in A4, A3, paper, stickers and / or slides. Make use of: Books, Magazines, Encyclopedias, Journals, Tapas disks / CDs, etc.

Types

can search new and old publications.

Types: Numbering / Featured / Title / Tuft / text Breads different bodies / boards / section / classifieds / index / page / etc.

combinations can use 1, 2 or 3 different sources and variables such as

Regular, Light, Bold, Italic, Extra Bold Condensed, etc.

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Sources

Fonts nobles are the best we can work.

signs will allow us to study their morphology.

can select Serif and Sans Serif and recombining.

For example: Helvetica, Garamond, Futura, Franklin, etc.

will avoid calls fantasy.

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Interventions

We make statements to the compositions,

as scratches, cuts, apply textures.

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text types

About

graphic registries x Cecilia Alvarez

These

images Gego * help us to illustrate the practical work reinterpretation / transposition graph, basis of the structural relationship between his line drawings and three-dimensional wire structures.

"[...] it is not drawing grids, or to translate in two dimensions what in sculpture in three dimensions. The purpose is rather to be working the same elements: space, vacuum line. " (María Luz Cárdenas, "Conversation with Gego", El Universal (Caracas), May 4, 1980, pp.a-7.

would add also, structure, texture, color ...

Examples reinterpretation between 2D and 3D compositions:
left Print: Gego, Untitled, 1980. Print right: Gego, Area No. 5, 1977.

Left: Gego, Untitled, 1955. Right: Gego, Drawing paperless 83/18, 1983.

Left: Gego, Weaving 89/13, 1989. Right: Gego, Drawing paperless 87/124, 1987.

Left: Gego, Untitled, 1958. Right: Gego, Jets, 1970.

talk to each other their compositions and three-dimensional structural relationships and reinterpreting share, from different techniques and graphic gestures, elements of 3D composites materia. For this it uses different devices.
For two-dimensional brush or felt-tip markers with which modulates the width and intensity of the lines. The spots of ink, pencil lines or registration marks, crayon with various pressures, the variety of papers, etc.
3D For his compositions, these are some of the materials used: steel wire steel, colored Plexiglas rods, metal beads used to bind and assemble. Galvanized mesh, nuts, screws, rods of iron, aluminum and plastic ...

* Gego (Gertrude Goldschmidt) was born in Hamburg, Germany in 1912. He studied architecture at the University of Stuttgart. Then he trained as an artist in Caracas, Venezuela, where he lived until his death in 1994.

Catadioptric Reflector Diagram

Graphics assemblage TP 2: The Materiality

collect some artists that we have seen Today in the theoretical Guadalupe Neves gave as examples of the exploration of the material in the bidimensión.

Informalismo: exploring the materiality

Parpagnoli Hugo says about the informality: "The artist is brought into contact with matter and she plays according to their instincts, imprinting the mark of the knife, hands, or any other means serving to exalt it as a subject and not as a representation of something else. " (The prensa.1960)

a.1. first group

compositions generated from the alteration of the same material.

Naomi Di Benedetto, Untitled, 1962. Glued cloth.

Luis Wells, dark Relief , 1969. Burning wood.

a.2.
is composed from
repetition of elements of the same material.

Luis Wells, Board, 1961. Wood and paint.

b.1. second group

compositions generated from the dialogue between different materials.

Kenneth Kemble, Suburban Landscape II , 1958. Sheet metal, wood and oil on hardboard.

Kenneth Kemble, Truce, 1957. Burlap, cloth rack, floor cloth, canvas and oil on canvas.

Kenneth Kemble, Suburban Landscape II. In Memoriam BN, 1958. Sheet metal, wood and various materials and oil on hardboard.

Invention Art

Torres García, Grippo and Hirst

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Welcome

Notes from the inaugural lecture (22 / 03 / 11) issued by Horacio Wainhaus

The look takes the roads that have been reserved for the work.

Paul Klee.

MORPHOLOGY

The universe of forms.

exceeds Morphology Graphic Design, transcends it.

find it in art, architecture, music, science and other disciplines.

Information

Knowledge

Wisdom

THOUGHT

Different Modes of Thinking.

think Form transversely.

Expanding Thought.

The Amoeba: The Vacuum and nuclei.

The articulation of these nuclei.

The movement of our ideas.

MODOS DE EXPRESION:

REPRESENTACION

Input y Output

Búsqueda de salidas posibles.

Representar: Traer algo que está ausente.

Consistencia: Eidos/Morphé

Coherence modes of thinking and the correct form it takes.

Organization of forms.

Logical Organization.

Submission of ideas through objects.

PROBLEM

implies that a situation can not continue the same way.

Positioning. Take a position on the issue.

Any form interface.

signs: How meaning shapes.

LEARNING

teacher / student relationship

Hourglass NO Traveler Tourist

The traveler knows when it starts but not when it ends.

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2011 2011

started the year on Tuesday 22 March, 9am

. in workshops Wainhaus Morphology caesarean. Good Start!

"... Use any material and any school, a straight polished a piece of Altamira, a lead pipe, a nightmare. Start with this when you are born, nailing four stakes and limits and there every day to weave our life, converted into a volume, without taking anything ever, none of these earlier forms we love, great, now we hide, do not get anything ,..."

To extract the text of León Ferrari

in THE ARTIST Alberto Laiseca